Enter to win Susan's
February, 2014 release,
February, 2014 release,
A Fall of Marigolds
AND
There's an Added Bonus!
AND
There's an Added Bonus!
Scroll to the end of the post to see how to enter.
I met Susan when she visited the Writers Alley where I am one of the team writers. Susan has an exciting story. I asked her to tell you how God has led her on her journey. Here is her story:
God Made Me A Writer-Years ago
When I was a Kid
When I was a Kid
Iāve loved to write for about as
long as I can remember. I penned many once-upon-a-time stories in grade school
and a ton of teenage-angst poetry in high school. In my twenties, however, when
I was newly married and working fulltime, and then in my thirties raising four
kids, I let the creative writing slide because I was afraid to see if I was
really any good at it. I became editor of a small town newspaper and did the
journalism thing for ten years. But all along there were novels inside me
clawing to get out.
The pivotal event for me was the
death of my beloved paternal grandfather in July 2002 ā my Papa. As I stood at
his memorial service, which was held in the beautiful landscaped yard that he
had spent forty years creating, I realized my life was essentially half over.
He was eighty-four when he died and I was forty-two. I knew I didnāt want to
come to the end of my life having only dreamed of writing a novel.
When I returned home I resigned
as editor of the newspaper, which was a very hard decision to make, and set out
to write my first book, Why the Sky is Blue. It only took four months to write
ā probably because I was so incredibly ready to write it! - and then ten months
to be accepted by a publisher.
During that waiting time, which
in retrospect wasnāt really that long, I had to daily surrender my hopes and
dreams of being published over to God. I didnāt know it would take less than a
year for a publisher to want this book.
What I knew was that getting
published was often as hard as or harder than writing the book itself. I had to
be okay with having answered the relentless nudge to write. I had done my part.
I had been gifted to do something and I had done it. And now it was up to
forces bigger than me to roll out the next phase, if there was to be one.
What was key for me was that I finally
understood that Iād rather live with rejection than regret. Over the years I
have realized that God has a unique purpose for each one of us. He has gifted
each of us to play a part in history, and instilled dreams and hopes within us
that dovetail with our talents and passions. There is a longing God has placed
within us; it is our life-dream, and we follow our dreams best when we let God
blaze the trail. And then recklessly follow.
Getting published was not God
affirming this gift for expression He has given me. Writing well is what
affirms me. Being published allows me to share my stories ā and ultimately my
worldview ā in a larger setting, but itās not what has made me a writer. God
did that, years and years ago, when I was just a kid.
~ ~
Susan Meissner is the multi-published author of fifteen books, including
The Shape of Mercy, named one of the
100 Best Novels in 2008 by Publishers Weekly and the ECPAās Fiction Book of the
Year. She is also a speaker and writing workshop leader with a background in
community journalism. She and her husband make their home in Southern
California.
~ ~
A beautiful scarf, passed down through the generations, connects two women who learn that the weight of the world is made bearable by the love we give away....
September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carriesā¦and finds herself caught in a dilemma that compels her to confront the truth about the assumptions sheās made. Will what she learns devastate her or free her?
September 2011. On Manhattanās Upper West Side, widow Taryn Michaels has convinced herself that she is living fully, working in a charming specialty fabric store and raising her daughter alone. Then a long-lost photograph appears in a national magazine, and she is forced to relive the terrible day her husband died in the collapse of the World Trade Towersā¦the same day a stranger reached out and saved her. Will a chance reconnection and a century-old scarf open Tarynās eyes to the larger forces at work in her life?
September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carriesā¦and finds herself caught in a dilemma that compels her to confront the truth about the assumptions sheās made. Will what she learns devastate her or free her?
September 2011. On Manhattanās Upper West Side, widow Taryn Michaels has convinced herself that she is living fully, working in a charming specialty fabric store and raising her daughter alone. Then a long-lost photograph appears in a national magazine, and she is forced to relive the terrible day her husband died in the collapse of the World Trade Towersā¦the same day a stranger reached out and saved her. Will a chance reconnection and a century-old scarf open Tarynās eyes to the larger forces at work in her life?
To enter the contest for an autographed copy of
Susan Meissner's book: "A Fall of Marigolds":
leave a comment (and email addy) AND become a follower of this site,
if you aren't already.
if you aren't already.
Sorry US only
Winner announced on my facebook page.
And NOW the added bonus for this weekend!!
3. Why a scarf of marigolds? What is their significance?
Marigolds arenāt like most other flowers. They arenāt beautiful and fragrant. You donāt see them in bridal bouquets or prom corsages or funeral sprays. They donāt come in gentle colors like pink and lavender and baby blue. Marigolds are hearty, pungent and brassy. They are able to bloom in the autumn months, well past the point when many other flowers canāt. In that respect, I see marigolds as being symbolic of the strength of the human spirit to risk loving again after loss. Because, face it. We live in a messy world. Yet itās the only one weāve got. We either love here or we donāt. The title of the book has a sort of double-meaning. Both the historical and contemporary story take place primarily in the autumn. Secondarily, when Clara sees the scarf for the first time, dangling from an immigrantās shoulders as he enters the hospital building, she sees the floral pattern in the threads, notes how similar they are to the flames she saw in the fire that changed everything for her, and she describes the cascading blooms woven into the scarf as āa fall of marigolds.ā
4. What led you to dovetail the Triangle Shirtwaist Fire of 1911 with 9/11?
When I first began pulling at story threads, my first instinct was to tell a story about an immigrant struggling to remain hopeful as an unwilling patient at Ellis Island hospital. But the more I toyed with whose story this was, the more I saw instead a young nurse, posting herself to a place where every disease known and unknown showed up. It was a place like no other; a waiting place ā a place where the dozens of languages spoken added to the unnatural homelessness of it. Why was she here? Why did she choose this post? Why did she refuse to get on the ferry on Saturday nights to reconnect with the real world? What kind of person would send herself to Ellis not just to work, but to live? Someone who needed a place to hover suspended. I knew something catastrophic had to happen to her to make her run to Ellis for cover. As I began researching possible scenarios, I came across the Triangle Shirtwaist Fire, which up until 9/11 was arguably the worst urban disaster to befall Manhattan. There were similarities between that fire and 9/11, including the tragic fact that many trapped workers jumped to their deaths rather than perish in the flames. For every person lost in disasters such as these, there is always his or her individual story, and the stories of those who loved them. I wanted to imagine two of those stories.
5. One important plot element is the moral dilemma Clara faces when she discovers something about the dead immigrantās wife that he does not know. What led you to include this story thread?
A good story has to have tension; there has to be some kind of force tightening the screws, forcing the characters to react and respond. The main character of any novel wants something and the tension increases whenever what she wants eludes her. Clara is desperate to keep love golden, perfect in her mind, and without sharp edges. This moral dilemma I impose on her forces her to truly ponder what she thinks she wants. Is love really at its grandest when there are no sharp edges to it all? I donāt think so. I think to love at its fullest means we might get hurt. Probably will. But that doesnāt mean itās not worth sharing, giving, and having. I include a line in the book that sums it up for me. āLove was both the softest edge and the sharpest edge of what made life real.ā I think if weāre honest with ourselves we donāt want to settle for love being just as safe as ālike.ā Clara wrestles with what to do with her knowledge because she doesnāt want the beauty of love to somehow be tarnished; even itās tarnished by truth.
6. Your last few novels have had historical components interwoven within a contemporary story. Why do you prefer that kind of story construction?
I think living in Europe for five years awakened my love for history. Itās like it was always there but my time spent overseas just woke it up. When I think back to the subjects I did well in and that came easy to me in high school and college, it was always English and history, never math or science. I appreciate the artistry of math and the complexity of science, but neither subject comes easy to me. History has the word āstoryā in it. Thatās what it is. Itās the story of everyone and everything. How could I not love it? Study history and you learn very quickly what we value as people; what we love, what we fear, what we hate, what we are willing die for. History shows us where weāve been and usually has lessons for us to help us chart where weāre going.
7. Are you working on anything new at the moment?
Today
we're participating in a blog tour for a new book by award-winning
novelist Susan Meissner whoās here to talk about her newest
book from Penguin NAL. A Fall of
Marigolds is a part historical novel, part contemporary novel set on Ellis
Island in 1911 and in Manhattan a hundred years later.
Make sure you read to
the end of this bonus section
to find out how to get in on a drawing
for a
fabulous gift basket that includes a $100 Visa gift card.
1. Susan,
tell us where the idea for A Fall of Marigolds came from.
Iāve long been a history junkie, especially with regard to historical events
that involve ordinary people facing extraordinary circumstances. A couple years
ago I viewed a documentary by author and filmmaker Lorie Conway called Forgotten Ellis Island; a hauntingly
poignant exposƩ on the section of Ellis Island that no one really has heard
much about; its hospital. The two man-made islands that make up the hospital
buildings havenāt been used in decades and are falling into ruins, a sad predicament
the documentary aptly addresses. The images of the rooms where the sick of a
hundred nations waited to be made well stayed with me. I knew there were a
thousand stories pressed into those walls, stories of immigrants who were just
a stoneās throw from a new life. But unless they could be cured of whatever
disease theyād arrived with, they would never set foot on Americaās shores.
Ellis Island hospital was the ultimate in-between place ā it lay between what
was and what could be. A great place to set a story
2. What
is the story about, in a nutshell?
The book is about two women who never meet as they are separated by a
century. One woman, Taryn, is a 9/11 widow and single mother who is about to
mark the tenth anniversary of her husbandās passing. The other is a nurse,
Clara, who witnessed the death of the man she loved in the Triangle Shirtwaist
Fire in Manhattan in 1911.In her sorrow, Clara imposes on herself an exile of
sorts; she takes a post at the hospital on Ellis Island so that she can hover
in an in-between place while she wrestles with her grief. She meets an
immigrant who wears the scarf of the wife he lost crossing the Atlantic, a
scarf patterned in marigolds. The scarf becomes emblematic of the beauty and
risk inherent in loving people, and it eventually finds it way to Taryn one
hundred years later on the morning a plane crashes into the North Tower of the
World Trade Center. The story is about the resiliency of love, and the notion
that the weight of the world is made more bearable because of it, even though
it exposes us to the risk of loss.3. Why a scarf of marigolds? What is their significance?
Marigolds arenāt like most other flowers. They arenāt beautiful and fragrant. You donāt see them in bridal bouquets or prom corsages or funeral sprays. They donāt come in gentle colors like pink and lavender and baby blue. Marigolds are hearty, pungent and brassy. They are able to bloom in the autumn months, well past the point when many other flowers canāt. In that respect, I see marigolds as being symbolic of the strength of the human spirit to risk loving again after loss. Because, face it. We live in a messy world. Yet itās the only one weāve got. We either love here or we donāt. The title of the book has a sort of double-meaning. Both the historical and contemporary story take place primarily in the autumn. Secondarily, when Clara sees the scarf for the first time, dangling from an immigrantās shoulders as he enters the hospital building, she sees the floral pattern in the threads, notes how similar they are to the flames she saw in the fire that changed everything for her, and she describes the cascading blooms woven into the scarf as āa fall of marigolds.ā
4. What led you to dovetail the Triangle Shirtwaist Fire of 1911 with 9/11?
When I first began pulling at story threads, my first instinct was to tell a story about an immigrant struggling to remain hopeful as an unwilling patient at Ellis Island hospital. But the more I toyed with whose story this was, the more I saw instead a young nurse, posting herself to a place where every disease known and unknown showed up. It was a place like no other; a waiting place ā a place where the dozens of languages spoken added to the unnatural homelessness of it. Why was she here? Why did she choose this post? Why did she refuse to get on the ferry on Saturday nights to reconnect with the real world? What kind of person would send herself to Ellis not just to work, but to live? Someone who needed a place to hover suspended. I knew something catastrophic had to happen to her to make her run to Ellis for cover. As I began researching possible scenarios, I came across the Triangle Shirtwaist Fire, which up until 9/11 was arguably the worst urban disaster to befall Manhattan. There were similarities between that fire and 9/11, including the tragic fact that many trapped workers jumped to their deaths rather than perish in the flames. For every person lost in disasters such as these, there is always his or her individual story, and the stories of those who loved them. I wanted to imagine two of those stories.
5. One important plot element is the moral dilemma Clara faces when she discovers something about the dead immigrantās wife that he does not know. What led you to include this story thread?
A good story has to have tension; there has to be some kind of force tightening the screws, forcing the characters to react and respond. The main character of any novel wants something and the tension increases whenever what she wants eludes her. Clara is desperate to keep love golden, perfect in her mind, and without sharp edges. This moral dilemma I impose on her forces her to truly ponder what she thinks she wants. Is love really at its grandest when there are no sharp edges to it all? I donāt think so. I think to love at its fullest means we might get hurt. Probably will. But that doesnāt mean itās not worth sharing, giving, and having. I include a line in the book that sums it up for me. āLove was both the softest edge and the sharpest edge of what made life real.ā I think if weāre honest with ourselves we donāt want to settle for love being just as safe as ālike.ā Clara wrestles with what to do with her knowledge because she doesnāt want the beauty of love to somehow be tarnished; even itās tarnished by truth.
6. Your last few novels have had historical components interwoven within a contemporary story. Why do you prefer that kind of story construction?
I think living in Europe for five years awakened my love for history. Itās like it was always there but my time spent overseas just woke it up. When I think back to the subjects I did well in and that came easy to me in high school and college, it was always English and history, never math or science. I appreciate the artistry of math and the complexity of science, but neither subject comes easy to me. History has the word āstoryā in it. Thatās what it is. Itās the story of everyone and everything. How could I not love it? Study history and you learn very quickly what we value as people; what we love, what we fear, what we hate, what we are willing die for. History shows us where weāve been and usually has lessons for us to help us chart where weāre going.
7. Are you working on anything new at the moment?
My next book is set entirely in
England, mostly during The London Blitz. My main character starts out as a young,
aspiring bridal gown designer evacuated to the countryside with her
seven-year-old sister in the summer of 1940. Though only fifteen, Emmy is on
the eve of being made an apprentice to a renowned costumer and she resents her
single motherās decision to send her away. She sneaks back to London ā with her
sister in tow ā several months later but the two become separated when the
Luftwaffe begins its terrible and deadly attack on the East End on the first
night of the Blitz. War has a way of separating from us what we most value, and
often shows how little we realized that value. I have always found the
evacuation of Londonās children to the countryside ā some for the entire
duration of the war ā utterly compelling. How hard it must have been for those
parents and their children. I went on a research trip to the U.K. in the fall
of 2013 and I spoke with many individuals who were children during the war;
some were separated from their parents, some were bombed out of their homes,
some slept night after night in underground Tube stations, some watched in
fascination as children from the city came to their towns and villages to live
with them. This book explores issues of loss and longing, but also the bonds of
sisters, and always, the power of love.
8.
Where can readers connect with you?
You can find me at www.susanmeissner.com and on Facebook
at my Author page, Susan .Meissner, and on Twitter at SusanMeissner. I blog at
susanmeissner.com. I also send out a newsletter via email four times a year.
You can sign up for it on my website. I love connecting with readers! You are
the reason I write.
As part of the release of A Fall of
Marigolds and this blog tour, Susan is giving to one lucky winner a gift basket
that includes a $100 Visa gift card, a copy of the book, the DVD Forgotten
Ellis Island, and a beautiful re-purposed infinity scarf patterned in marigolds
and made from a vintage Indian sari.
To be eligible, just leave a comment here between today and midnight Eastern on Friday, February 21. If you would like to see a list of the other participating blogs on this tour, just click here. Feel free to visit those blogs and increase your chances of winning by posting one comment on those blogs as well. One comment per blog will be eligible. Good luck!
To be eligible, just leave a comment here between today and midnight Eastern on Friday, February 21. If you would like to see a list of the other participating blogs on this tour, just click here. Feel free to visit those blogs and increase your chances of winning by posting one comment on those blogs as well. One comment per blog will be eligible. Good luck!
Thank you, Susan, for Joining us This Weekend!
Comments
pattymh2000(at)yahoo(dot)com
Thank you for entering me into the drawing.
Blessings,
Janice
Thank you so much for this interview. It's good to be entered into the drawing, but having read the statement, I'm already a winner :)
Mary, thank you for your diligence in blogging. It's not as easy as it seems . . .
Grace and blessings to you both,
Cindy (Cynthia)
keeroga(at)yahoo(dot)com
I'm a follower of your blog.
pmk56[at]sbcglobal[dot]net
bn100candg at hotmail dot com
What a nice thing to say. For Susan to hear that you liked other books of hers and would like to read more means a lot. Thanks so much for stopping by and letting her know.
We loved chatting with you today. :)
I have had a sneak peek at this book. It is incredibly wonderful to read and definitely one of those that is very difficult to put down. Plan an all nighter for this read. In a few weeks I will post a book review.
Always enjoy seeing you at our chats!
Thank you from both of us. I immediately latched on to the same phrase. What a life statement to write and post where we can always see.
As for diligence in blogging, my inspiration is God and you all. I love chatting with you!!
Blessings to you as well.
Truly I am the honored one.
Blessings on you. :)
You clearly have read several of Susan's books. What a wonderful connection you have with your ancestors coming through Ellis Island. I can tell you now, you are going to love this new book, A Fall of Marigolds.
I'm so happy to see you back here chatting with us. :) Looking forward to your next visit.
I sure enjoyed chatting with you today!
Watching the Ellis Island will be a great "cherry on the cake" for this story. Thanks so much for stopping by today and chatting with us! Hope to see you again soon.
andrea2russia@hotmail.com
I went there the July 4th weekend of 2003. We couldn't go up in the Statue of Liberty, it was closed to the public, but we went through Ellis Island. Wow what an awesome experience. I hope you get to go sometime.
Thanks so much for joining us today! I hope to see you again.
Connie
cps1950 at gmail dot com
So nice to see you! I think the 2 stories set 100 years apart is a wonderfully unique idea. And having already peeked at the book, I can say it works really well.
Sure enjoyed chatting with you today, Connie. Looking forward to seeing you again.
I enjoyed the interview, and I absolutely love the unusual storyline of "A Fall of Marigolds", and the interweaving of the two stories a century apart!! I really didn't know anything about the hospital at Ellis Island, now my curiosity is piqued to learn more.
I haven't read any of Susan's books, and appreciate the opportunity to win a copy of "A Fall of Marigolds" - thanks so much!!
bonnieroof60(at)yahoo(dot)com
I am a follower!!
susanmsj at msn dot com
You know, a tapestry tells a story. Many threads are woven together to form one over all story. I think that same idea happens in Susan's book "A Fall of Marigolds."
Thanks so much for stopping by today, Bonnie.
So nice to see you today! I think you will find this book a fantastic read.
I'm looking forward to seeing you again!
businesschef08@gmail.com
I totally agree with you. I've enjoyed reading it so far and highly recommend it. Especially for a night you'd like to stay up--it is so incredibly well written you won't want to put it down.
Thank you for joining us today!.
Welcome!! Glad you could stop by. Susan's book truly is a wonderful read. Thanks for becoming a follower. I hope to see you again soon.
mekachew69@gmail.com
I'm so glad you stopped by today! Welcome!